The Martian sciences the sh*t out of making money, The Walk loses its (bank) balance, Sicario means “dolla dolla bills y’all,” the public vote against Freeheld, and Other Box Office News.
Proving that Matt Damon can say all of the most accidentally ignorant crap that he likes and that Ridley Scott can spend a full half-decade crapping out stinkers whilst both still remain the kind of perfectly lovable and bankable box office draws that Hollywood executives wish to Maker they could create out of thin air, The Martian is your new box office number 1. The big story for many people is how the film has fallen just short of breaking Gravity’s “Best October Opening Ever” record – by $750,000 – although the estimates may push it over the top. Because, after all, who cares about excellent openings unless they break records, right? Besides, if we should be sad about anything, it should be the fact that the godawful Hannibal is still Ridley Scott’s best opening weekend ever. That’s the real tragedy.
Speaking of tragedies, Joseph Gordon-Levitt’s Pepé le Pew imitation in The Walk. This is meant to be a serious movie, right? Cos, quite frankly, I probably won’t be able to take seriously two hours of “omlette du fromage”. Audiences very much seemed to agree with me, in this instance – that, or they saw Man on Wire and sussed that they didn’t need to see it fictionalised and in 3D – and even with critical acclaim and an initial opening exclusively on IMAX theatres, its true home, the film failed to find much of an audience. In fact, and in sharp contrast to Everest from a few weeks back, it didn’t even manage to crack the Top 10, stalling out at number 11 with only $1.5 million. The film hits actual theatres that people want to go to next weekend, but this whole “release early in IMAX” thing really doesn’t seem to be paying off as studios were likely hoping it would. Y’know, probably because IMAX really just isn’t very good.
But do you know what is very good? Sicario, that’s what! One of the year’s absolute best films finally went wide this week and, for a bleak-as-f*ck and slow-moving thriller that is as decidedly uncommercial as… well, as Denis Villenueve’s Prisoners, did surprisingly well, securing third place with a decent $12 million. The film even supposedly has an “A-“ CinemaScore, too, so it may have some legs over these next few weekends. Comfortably above it on the chart, meanwhile, is Hotel Transylvania 2 which actually held better than the first film did – and that only dropped 36% between weekends, let’s not forget – with a miniscule 32% drop and $33 million. So, once again, can Genndy Tartakovsky please go and make whatever he wants now? It’s clear the public will accept it!
Do you know what they didn’t accept, though? Freeheld. Yes, the weekend’s big Limited Release, and the latest blatant entry in Julianne Moore’s awards nomination reel, turned out to be a bit of a stinker, and nothing kills off a Limited Release’s box office prospects better than middling reviews. Freeheld therefore only managed to scrape $40,000 from 5 screens and a per-screen average of $8,000. Still, at least it can take comfort in the fact that it’s not Stonewall! That film, incidentally, dropped down to 83 screens and made an absolutely pathetic $18,700 this weekend. Better performing was the documentary He Named Me Malala which took a strong $56,000 from 4 screens for a per-screen average of $14,000.
You know what’s been strong this week? My paragraph transitions! …here’s the Full List.
Box Office Results: Friday 2nd October 2015 – Sunday 4th October 2015
1] The Martian
$55,000,000 / NEW
Super happy to see this one do well, if for no other reason than it might give Ridley Scott the kick up the arse he needs to stop making crap films this decade. Yes, I know that he plans to make his next film another Alien movie/Prometheus sequel, let’s focus on his career after that, OK? In fact, whilst I have everyone’s attention, can we all just stop making Alien-related movies, please? We haven’t had a good one in almost 30 years, and I highly doubt that the Neill Blomkamp who just made Chappie is going to turn that around. Although I will admit that I am still excited for that one, in a “trainwreck fascination” kinda way.
2] Hotel Transylvania 2
$33,000,000 / $90,541,765
Saw this yesterday and a review will be up by Thursday [FUTURE EDIT: tally another failed promise] as I still have to write this week’s Lost Cels first. Film’s millimetres away from being genuinely great, for the record, although its best asset is still its utterly amazing animation. Seriously, the work that Genndy and co. have done with translating 2D-style squash-and-stretch animation to 3D is just outstanding. I cannot wait for him to put it to use in a film that doesn’t have Adam Sandler’s icky undertones attached to it.
$12,075,000 / $15,076,295
Just a few more days and I get to see this brilliance again! God knows I’m going to need something to wash down Pan with. Have I ever mentioned that Pan looks like utter garbage? Cos it really does.
4] The Intern
$11,620,000 / $36,523,892
You know what? If this actually built to something and wasn’t two sodding hours long, I’d be giving this a full-on enthusiastic thumbs up. It’s not particularly funny, but it is really charming and its characters are really likeable and the cast are great, and it manages to balance lionising The Older Generation and The Way Things Were with a genuine respect for the modern world and businesswomen who try to juggle work and family without being condescending or placing one higher than the others. Seriously, it gets so much right; I just wish it built to its ending, was actually funny, and wasn’t two sodding hours.
$7,650,000 / $63,241,124
And the maze keeps running running, and running running, and running running…
6] Black Mass
$5,905,000 / $52,521,030
No, seriously, how has no-one made a Black Eyed Peas parody song about The Maze Runner yet? Is it because The Black Eyed Peas were The Absolute Worst and nobody actually remembers anything from any Maze Runner after having experienced them? And I just answered my own question.
$5,510,000 / $33,181,310
Tosh from Torchwood is in this. Unsurprisingly, she is given basically zero lines.
8] The Visit
$3,950,000 / $57,695,090
Anybody managed to see Cooties yet? I have high hopes, since I actually laughed at the trailer and it has Alison Pill who always deserves the best things, but I know that this can easily go very, very wrong and the reviews aren’t great. Still, at least it looks better than Scout’s Guide to the Zombie Apocalypse, a film whose trailer is Exhibits A, B, C, and all the way down to Z on why we should just stop using zombies now forever. ZOMBIE BOOBS LOL!
9] War Room
$2,800,000 / $60,544,613
Oh, just go away already.
10] The Perfect Guy
$2,400,000 / $52,615,190
So Creed isn’t due out in the UK until January. January. Now, initially, I got really confused, since it’s basically a new Rocky movie and Rocky Balboa opened simultaneously in the USA and the UK. But then I realised something: they’re setting up Creed to be an awards season contender, so now I’m just annoyed. Even if it’s good, Creed ain’t getting nominated for jack, and the whole Awards Season thing of keeping us Brits out of the loop on seeing these films until the opening of the next year is bullsh*t. Again, NON-SIMULTANEOUS RELEASING OF ENGLISH-LANGUAGE FILMS IN 2015 IS BULLSHIT!
And you thought I’d get through one of these pieces without stepping on my soapbox! Ha!
Dropped Out: The Green Inferno
Callie Petch guesses we’re kicking this city down.