Callie Petch at BFI London Film Festival 2022: I LOVE MY DAD
A father impersonates a young woman online in a bid to get closer to his son in James Morosini’s promising but frustrating debut.
Category: Reviews
Callie Petch at BFI London Film Festival 2022: My Father’s Dragon
Cartoon Saloon return with a poignant tale of a boy who sets out on a quest to find a dragon in peril.
Harley Quinn Season 3
Whilst exhibiting some awkward growing pains, DC’s audacious, hilarious, queer-as-heck cartoon spends its great third season refusing to rest on its laurels.
The Territory
Alex Pritz presents an urgent call-to-action in the form of a documentary thriller.
beabadoobee – Beatopia
Beabadoobee’s sophomore album has many the same drawbacks as her debut, but succeeds greater on its particular terms.
Catch the Fair One
Josef Kubota Wladyka’s debut is a bleak yet gripping scream on behalf of a forgotten people.
Confidence Man – TILT
The Australian dance-pop quartet’s sophomore album indicates they’re in it for the long haul, only sacrificing some of their prior identity in the process.
Hive
Hive is a solid-enough ode to Kosovo’s grieving women but lacks unique flair.
alt-J – The Dream
alt-J’s big comeback record sees the group continue to monotonously shuffle in place.
Ride the Eagle
Ride the Eagle is a pleasant vibey piece of COVID filmmaking that never quite manages to become an interesting, affecting, or all that funny narrative film.
Callie Petch 