The Inspection
Elegance Bratton’s semi-autobiographical narrative debut is perhaps too wedded to its writer-director’s personal experiences for its own good.
Elegance Bratton’s semi-autobiographical narrative debut is perhaps too wedded to its writer-director’s personal experiences for its own good.
A deliberately defensive exterior means it won’t be for everyone, but those who do gel with Bros will find a finely-observed, very funny, and affecting rom-com.
The cult Canadian indie lifers bring their lengthy catalogue of hits to Manchester Academy.
Not even the barest-bones of releases can stop Eureka!’s restoration of Royal Warriors from being a near-essential purchase for action junkies.
The debut feature from John Patton Ford wraps an incisive commentary on gig-economy capitalism around yet another excellent Aubrey Plaza turn.
A landmark milestone of Hong Kong action cinema gets a luscious Eureka! remaster, though the rest of the package leaves a lot to be desired.
What should have been an illuminating and entertaining look at an influential and beloved strain of dance music is instead a sloppily-made and myopic waste of time.
The movie adaptation of Matilda the Musical is all fleeting spectacle and little substance.
The titular Cold War media magazine brings their cult leftist examination of the time period’s cinema landscape to book form with mixed results.
A father impersonates a young woman online in a bid to get closer to his son in James Morosini’s promising but frustrating debut.